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Spanish, German, Portuguese, Italian: hundreds of millions of readers, and Amazon stores in each of those languages.
Every great invention has taken texts out of a few hands and put them into many others. AI translation is the next one.
For thousands of years, a book was a rare object. Copying a single one by hand took months, sometimes years. Then each invention did the same thing: it took texts out of a few hands and put them into many others.
One frontier remained that neither the printing press nor the Internet had really crossed: language. A book written in French does not exist for a reader who only reads Polish. Translating it costs thousands of euros, and the vast majority of books never will be.
That is the frontier artificial intelligence is starting to lower. We created Librolingua for that.
In Mesopotamia, accountants press signs into clay. For the first time, a spoken word outlives the person who said it.
Every book is copied by hand, page after page. A single Bible can take a copyist months of work. Books are rare, expensive, reserved for a few.
At the House of Wisdom, scholars translate Aristotle, Euclid and Galen into Arabic. Without these translations, part of Greek knowledge would have been lost.
Christians, Jews and Muslims carry these texts from Arabic into Latin. Europe rediscovers science through translation.
Gutenberg prints his Bible in Mainz. Within fifty years, Europe produces millions of books. The price of a book collapses and reading spreads.
Luther publishes the New Testament in German. Printing and translation together put a text in the hands of a whole people, in their own language.
Penguin in 1935: great books at the price of a packet of cigarettes. Literature becomes popular.
Ebooks and print on demand let anyone publish, with no publisher and no stock. Millions of authors take the plunge.
An artificial intelligence can translate an entire novel in a few hours, into dozens of languages. The last frontier of the book, language, is starting to fall.
Our translations are made by artificial intelligences. We do not claim they equal the work of a great literary translator, which remains an art: choosing the right word, carrying a voice, reinventing a pun. When a book deserves that work and its budget allows it, it should be entrusted to a human translator.
But most books will never have that budget. For them, the question is not “human translation or AI translation”, it is “AI translation or no translation at all”. That is where we are useful.
We do not simply feed a text into a machine. Every book follows a chain: a model first reads the book and writes its style sheet (characters, tone, recurring terms); the book is translated passage by passage following that sheet; independent reviewer agents compare each paragraph with the original; an arbiter agent settles each disagreement; automatic checks verify that nothing is missing. And you receive a report telling you what we chose, and what we invite you to check.
Spanish, German, Portuguese, Italian: hundreds of millions of readers, and Amazon stores in each of those languages.
A human translation costs thousands of euros; here, hundreds. A translation can pay for itself with a few dozen sales.
Your book translated and formatted in a few days, ready to publish.
Your settings, your glossary, your instructions. And an editable file you can have reviewed by whomever you like.
Scribes made texts durable. Printing made them affordable. The Internet made them accessible. What remains is to make them understandable by everyone, in every language. That is, on our small scale, what we are trying to do: for your book to find its readers, wherever they are.